Overview
Karuizawa New Art Museum Gallery [Whitestone Gallery Karuizawa] is pleased to present "IT WAS", the third solo exhibition by contemporary artist MADARA MANJI.
After graduating from school, MADARA MANJI moved to Kyoto to learn engraving techniques, which are the foundation of his work. He learned the basics of various metal processing techniques under a master engraver, and continues to hone his skills to this day. The works he has produced as a result of this work are now exhibited in the field of contemporary art, receiving high praise.
In recent years, he has been exploring his long-standing interests in religious studies, Zen philosophy, physics and astronomy, and in addition to his pursuit of metal, a material he has used since his debut, he has also begun producing works using non-metallic materials.
In this exhibition, "IT WAS," the artist has acquired a wider range of expressive means, based on his consistent interest in "the state of the human spirit," and has used these to create and present new three-dimensional works and installations.
For the artist, who always considers his creative work to be "research activities based on imagination and curiosity," all materials become a means of expressing the proposition "what does it mean to exist?", and his thinking continues to expand even today.
This exhibition "IT WAS" is linked to the exhibition "ALIVE" held at the Shiga Kogen Roman Museum, and there is a strong relationship between these two exhibitions. In particular, the installation works in this exhibition
"Work by Traces of Waves (Title TBA)" is a work created using the work "SKIN #01" exhibited at the exhibition "ALIVE" at Shiga Kogen Romantic Museum. The titles of the two venues, "IT WAS" and "ALIVE", form one word.
This method of expression is an example of the artist's belief that "the human mind is made up of a vast amount of information and the construction of complex causal relationships between opposing factors" that transcends space.
Since his solo exhibition "Antagonism and Trancesendence" held at our gallery in 2017, MADARA MANJI has been exhibiting in a wide range of countries and regions, both domestically and internationally. We hope you will take this opportunity to see the new horizons of this artist.
After graduating from school, MADARA MANJI moved to Kyoto to learn engraving techniques, which are the foundation of his work. He learned the basics of various metal processing techniques under a master engraver, and continues to hone his skills to this day. The works he has produced as a result of this work are now exhibited in the field of contemporary art, receiving high praise.
In recent years, he has been exploring his long-standing interests in religious studies, Zen philosophy, physics and astronomy, and in addition to his pursuit of metal, a material he has used since his debut, he has also begun producing works using non-metallic materials.
In this exhibition, "IT WAS," the artist has acquired a wider range of expressive means, based on his consistent interest in "the state of the human spirit," and has used these to create and present new three-dimensional works and installations.
For the artist, who always considers his creative work to be "research activities based on imagination and curiosity," all materials become a means of expressing the proposition "what does it mean to exist?", and his thinking continues to expand even today.
This exhibition "IT WAS" is linked to the exhibition "ALIVE" held at the Shiga Kogen Roman Museum, and there is a strong relationship between these two exhibitions. In particular, the installation works in this exhibition
"Work by Traces of Waves (Title TBA)" is a work created using the work "SKIN #01" exhibited at the exhibition "ALIVE" at Shiga Kogen Romantic Museum. The titles of the two venues, "IT WAS" and "ALIVE", form one word.
This method of expression is an example of the artist's belief that "the human mind is made up of a vast amount of information and the construction of complex causal relationships between opposing factors" that transcends space.
Since his solo exhibition "Antagonism and Trancesendence" held at our gallery in 2017, MADARA MANJI has been exhibiting in a wide range of countries and regions, both domestically and internationally. We hope you will take this opportunity to see the new horizons of this artist.
Artist Information
MADARA MANJI
March 1988, 3 Born in TokyoAfter graduating from high school in Tokyo, at the age of 19, he went to study under a metal engraver in Kyoto to learn the modeling techniques necessary to create his own works.
He studied basic metal processing techniques over several years.
After that, he continued to study on his own and began his career as a writer.
He continues to create his works in his studio in Shinagawa, Tokyo, to this day.
Click here for the interview between MADARA MANJI and Toshiro Hijikata, Director of the Taro Okamoto Museum of Art, Kawasaki
Artist profile
[Major solo exhibitions]2017 Antagonism and Transcendence / Whitestone Gallery KARUIZAWA
2020 VORTEX / Whitestone Gallery KARUIZAWA
2020 ACCUMULATION / Whitestone Gallery Taipei
2020 MASS / Whitestone Ginza New Gallery
2021 CORE / Whitestone Gallery Taipei
2022 EXPLOSION / Whitestone Ginza New Gallery
2023 SOLID / Daikanyama TSUTAYA Bookstore
[Major group exhibitions]
2017 INTERMIXTURE / Whitestone Gallery HongKong Hollywood Road
2020 Allelopathy in the Wasteland / Mitsukoshi Contemporary Gallery
2023 WE LOVE SINGAPORE / Whitestone Gallery SINGAPORE
2023 WE LOVE CHINA / Whitestone Gallery BEIJING
2023 CULTURAL CITY OF EAST ASIA:
SCULPTURE INVITATIONAL EXHIBITION OF CHINA, JAPAN AND KOREA /
QINGDAO SCULPTURE ART MUSEUM
2023 WE LOVE KOREA / Whitestone Gallery Seoul
2024 INVISIBLE DIMENSION / Whitestone Gallery Beijing
[Major art fairs]
2018 VOLTA 14 / YOD Gallery
2021 Art Fair Tokyo 2021 / YOD Gallery
2021 Art Miami 2021 / YOD Gallery
2021 VOLTA BASEL 2022 / YOD Gallery
2023 ART021 SHANGHAI 2023 / Whitestone Gallery
2024 ART OSAKA 2024 / YOD Gallery
Information about Works
-
Alive #01/ Copper, Silver, Gold, Iron, Stainless /200 × 160 × 150 mm /2024 / ©MADARA MANJI