Overview
White Stone Karuizawa will be hosting Suzuna Iwasa's first solo exhibition at White Stone from Saturday, September 9th.
"Drawing・Morphogenesis"
- Until the plants growing from the deer's head bloom and the scenery appears -
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At first it was just a single line. A stumbling pen, a brush that had fallen off, a dripping drop, a smudge on the paper - by embracing these accidental phenomena rather than rejecting them, an "image" or "shape" is born.
The traces of the lines can be seen as butterflies, landscapes, patterns of trees, rivers, and minerals, and as they are connected and become components, new "images" and stories are spun out. The unknown "images" have symbolic meanings, like intersecting scenes where foreshadowings intertwine, and there one can see a multi-layered world with a freely adjustable scale from both microscopic and macroscopic perspectives.
Encountering them is fun, as if I were looking at an uncontrollable life form. The branching lines of the fractal structure seen in "blood vessels" are also related to "branches," "rivers," "leaf veins," "feathers," "roots," and "horns," and to me they are, so to speak, the "shape of life."
In the painting, the antlers of the deer turn into the stems of plants that carry water, and then into the veins of leaves, forming a landscape. Wordplay and palindromes are created by conjuring up various images from the sound of "kami", such as paper, god, hair, kami, mamoru, and bite.
"Ah!" is surprise, "Ah" is recognition and demand, and "ame" brings to mind candy, rain, and the sky. Each sound of the Japanese syllabary, and the combination of these sounds, creates further images.
Just as new spirit resides in each word, each painting is made up of individual images, their combinations and relationships, and each one feels as if it has a life of its own.
This is an animistic worldview that holds that "every plant and tree has the ability to speak."
And perhaps I too am playing with visual links between lines and shapes.
So like butterflies become butterflies, and birds become birds,
The painting takes care of itself.
- Iwasa Suzuna
-----------------
We are looking forward to your visit.
"Drawing・Morphogenesis"
- Until the plants growing from the deer's head bloom and the scenery appears -
-----------------
At first it was just a single line. A stumbling pen, a brush that had fallen off, a dripping drop, a smudge on the paper - by embracing these accidental phenomena rather than rejecting them, an "image" or "shape" is born.
The traces of the lines can be seen as butterflies, landscapes, patterns of trees, rivers, and minerals, and as they are connected and become components, new "images" and stories are spun out. The unknown "images" have symbolic meanings, like intersecting scenes where foreshadowings intertwine, and there one can see a multi-layered world with a freely adjustable scale from both microscopic and macroscopic perspectives.
Encountering them is fun, as if I were looking at an uncontrollable life form. The branching lines of the fractal structure seen in "blood vessels" are also related to "branches," "rivers," "leaf veins," "feathers," "roots," and "horns," and to me they are, so to speak, the "shape of life."
In the painting, the antlers of the deer turn into the stems of plants that carry water, and then into the veins of leaves, forming a landscape. Wordplay and palindromes are created by conjuring up various images from the sound of "kami", such as paper, god, hair, kami, mamoru, and bite.
"Ah!" is surprise, "Ah" is recognition and demand, and "ame" brings to mind candy, rain, and the sky. Each sound of the Japanese syllabary, and the combination of these sounds, creates further images.
Just as new spirit resides in each word, each painting is made up of individual images, their combinations and relationships, and each one feels as if it has a life of its own.
This is an animistic worldview that holds that "every plant and tree has the ability to speak."
And perhaps I too am playing with visual links between lines and shapes.
So like butterflies become butterflies, and birds become birds,
The painting takes care of itself.
- Iwasa Suzuna
-----------------
We are looking forward to your visit.
Artist Information
Iwasa Suzuna
Born in Osaka.Using simple art materials such as ink, acrylic and sumi ink, and utilizing chance through the application of stains and printing, he creates unique mythical landscapes with combinations of shapes reminiscent of primitive deer and human bodies. Each image and shape he paints has layered and multi-layered meanings and symbolism, generating a fundamental function like the "sound" of language before meaning is established. These are paintings created from a single line or a single drop.
Read the interview with Suzuna Iwasa here

Artist profile
Iwasa Suzuna2002 Graduated from Tokyo University of the Arts, Faculty of Fine Arts
2004 Master's degree from The Ruskin School of Art, UK
2006 Special lecturer at Fukuoka Jo Gakuin University
2011 Graduated from Tokyo University of the Arts, Graduate School of Fine Arts, Ph.D.
2015 Visiting Artist at Guanlan Original Printmaking Base
Main exhibits
2009 The 2nd Bangkok Triennale International Print & Drawing Exhibition (Thailand)
2009 Matsudo City Tojo History Museum and Tojo Art Project (Chiba)
2009 Echigo Art Triennale (Niigata)
2013 "The 8th International Ink Art Biennial of Shenzhen" (Shenzhen)
2014 Japanese Embassy in Korea, Information and Cultural Center (Seoul)
2015, 2016 Art Fair Asia Fukuoka (Fukuoka)
2020 Museum of Art, Mahasarakham University, Thailand (Mahasarakham)
2023 One Art Taipei
Major works in the collection
Tama Art University Museum (Tokyo)
Silpakorn University Museum of Art (Thailand)
Shenzhen Printmaking Museum Guanlan printmaking museum (China), etc.
Information about Works
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Faint landscape / 2024 / Acrylic on cotton / 29.5X34.5cm -
Thoughts on leaves / 2024 / Acrylic on cotton / 36x140cm -
Forest landscape/2024/Acrylic on cotton/43x182cm -
Rainy Days/2024/Acrylic on cotton/116.7x116.7cm